11 reasons the Lisbon Metro blows every other transport system out of the water

Telheiras station. Image: Cornelius/Wikimedia Commons.

Subways are great. It’s an undeniable fact. They’re speedy, spacious, don’t take up space above ground, and, depending on the design, can make you feel like you’ve been catapulted back to the ‘60s, or forward to, well, the ‘60s. But only one can be the best – and that one is the Lisbon Metro.

Here are 11 reasons why.

There are just six interchanges – and two zones

Subways are great – but they're not so great if you’re got a hopeless sense of direction, as anyone who’s had to battle through NYC City’s some 468 stations will tell you (yeah, we can’t really work out how many there are). No such larks in Lisbon, there are just six interchanges on the whole network.

The inevitable map. There are also zones 2 & 3 further out, but the metro doesn't go that far.

Sure, you might not quite have the scope of the Big Apple to play with, but the apple isn’t real anyway and custard tarts are better. Plus it still gets you pretty much everywhere you want to go, minus the fights about which route is quickest. What’s more there are only two zones, so you don’t have to work out the most convoluted route in the world just to avoid Shoreditch High Street on the Overground.

This said, zone two (which is confusingly called zone one; the central zone is zone L, for Lisbon) only actually has three stops in it, so it’d be a bit of a bummer if you ended up living there.

They’ve totally embraced naming lines by colours

Tourists don’t get tube systems. Locals end up explaining to tourists using the colours of the line. This is the rule of any metro system, and who are we to change fundamental human nature?

The development of the network, 1959-2012. Image: EpicGenius/Wikimedia Commons.

So, imagine my wonder upon discovering that the Lisbon Metro is all about those coloured lines. There’s a yellow line: it’s called the yellow line. The red line is called the red line. The green line is named in honour of the colour I turned in envy when I saw this deliciously simple system. Which is, for the avoidance of any doubt, green.


The stations are accessible

Getting around the UK using public transport can be chaos as it is, let alone if you need to use accessible stations and trains. It’s been some some 26 years since the Disability Discrimination Act (later replaced by the Equality Act in 2010), which protects disabled people from discrimination across wider society, came into force; yet something as simple as getting on the tube can still be a massive issue.

Just 73 of London Undergrounds 270 tube stations offer step free access, only slightly more than a quarter. An extra £200m was committed to created a step-free tube in 2016, but even this will only take the number to 100 – which eagle eyed mathematicians will note is still less than half.

Jump over to Lisbon, and while it’s by no means a perfect picture, 30 of the 50 stations are marked as having disabled access: that works out at 60 per cent.

It’s gloriously unbusy. Like, really

No, really. It was so un-busy the first time I got it I went back during ‘rush hour’ on purpose and it looked like this.

Where is everybody? 

There are countdown clocks which operate by the second

I’m from a village in rural North Devon, which means getting public transport is an exercise involving looking at a damp timetable stuck to a lamppost and hoping something might turn up in the next hour. Even in most bigger cities, the metro system will only give you the time you’ll be waiting for your train in minutes.

Lisbon pulls out all the stops though, and you can see how many seconds – yes, seconds – it is until your tube is going to arrive Your dreams of being able to sing countdown as tube arrives have come true.

Note the countdown. 

The hanging cords don’t swing and smack you

It’s a commuters worst nightmare: not only are you packed five centimetres closer to another human being than you’d ever wish to be, but then the stupid cord you’re supposedly hanging onto for support crashes you into them full frontal.

Not so in Lisbon, where the hanging cords are made of sturdier stuff, and your personal boundaries can live to see another dawn.

There’s a refreshing lack of adverts

In the interests of transparency, I’d like to state at this point that I did track down some ads – namely one for Burger King and a Simon & Garfunkel gig, which sounds like a wild night – but nowhere near the scale you’d see here in the UK. In fact, these were the only two I found.

A recent report from Transport for London showed they were the biggest holder of advertising space in the UK. In 2016-17, it hosted some 16,000 different adverts drawing in some £142.1m in cash by bombarding Londoners with pictures of West End shows, weird head skull shavers, and essays about Jack Daniels posted on literally any available space.

While I accept it’s a good money earner, it’s a bit of cheek that the operator say commuters actually appreciate the distraction.The latest TfL report claims that 60 per cent of commuters say adverts are a welcome distraction. Did they even notice the Clapham Common cats campaign?

I, for one, am all on board with the Portuguese approach and freedom to daydream. Hell, they’ve got the advertising spaces, they just haven’t filled them up.

There’s 4G on all the lines

Yep, even underground. It’s magical. I’m not entirely convinced it’s planned, but it’s pretty great.


Tickets are valid for 24 hours from the point of use

This is honestly a revolution, and is probably the last serious point we’ve got for you, but golly it’s a good one. It’s a simple premise: buy your day ticket and it’s then valid for 24 hours from first use. So if you buy it at 3pm on a Sunday, it’s valid until 3pm on Monday.

By way of contrast, if you find yourself in a similar situation in London, your day pass will only work up until the last tube that day.

You also don’t need a deposit to get a reusable card. The Lisbon Metro dolls out reusable (and non plastic) cards for a mere €0.50 a time.

There’s an announcement that sounds like a friendly grandfather clock

The beeps of commuter trains haunt me in my sleep. This, though, sounds just like the grandfather clock in my nan and grandfathers’ house. Cute.

It’s in Lisbon

The Tyne & Wear Metro might go to the beach, but it’s not quite the same.

Uncredited images courtesy of the author.

 
 
 
 

“You don’t look like a train buff”: on sexism in the trainspotting community

A female guard on London’s former Metropolitan Railway. Image: Getty.

I am a railway enthusiast. I like looking at trains, I like travelling by train and I like the quirks of the vast number of different train units, transit maps and train operating companies.

I get goosebumps standing on a platform watching my train approach, eyeballing the names of the destinations on the dot matrix display over and over again, straining to hear the tinny departure announcements on the tannoy.  I’m fortunate enough to work on the site of a former railway station that not only houses beautiful old goods sheds, but still has an active railway line running alongside it. You can imagine my colleagues’ elation as I exclaim: “Wow! Look at that one!” for the sixth time that day, as another brilliantly gaudy freight train trundles past.

I am also a woman in my twenties. A few weeks my request to join a railway-related Facebook group was declined because I – and I quote here – “don’t look like a train buff”.

After posting about this exchange on Twitter, my outrage was widely shared. “They should be thrilled to have you!” said one. “What does a train buff look like?!” many others asked.

The answer, of course, is a middle-aged white man with an anorak and notebook. Supposedly, anyway. That’s the ancient stereotype of a “trainspotter”, which sadly shows no sign of waning.

I’m not alone in feeling marginalised in the railway community. Sarah, a railway enthusiast from Bournemouth, says she is used to funny looks when she tells people that she is not only into trains, but an engineer.

She speaks of her annoyance at seeing a poster bearing the phrase: “Beware Rail Enthusiasts Disease: Highly Infectious To Males Of All Ages”. “That did bug me,” she says, “because women can enjoy trains just as much as men.”


Vicki Pipe is best known as being one half of the YouTube sensation All The Stations, which saw her and her partner Geoff Marshall spend 2017 visiting every railway station in Great Britain.

“During our 2017 adventure I was often asked ‘How did your boyfriend persuade you to come along?’” she says. “I think some found it unusual that a woman might be independently interested or excited enough about the railways to spend sixteen weeks travelling to every station on the network.”

Pipe, who earlier this year travelled to all the stations in Ireland and Northern Ireland, is passionate about changing the way in which people think of the railways, including the perception of women in the industry.

“For me it’s the people that make the railways such an exciting place to explore – and many of these are women,” she explains. “Women have historically and continue to play an important part in the railway industry – throughout our journey we met female train drivers, conductors, station staff, signallers and engineers. I feel it is important that more female voices are heard so that women of the future recognise the railways as a place they too can be part of.”

Despite the progress being made, it’s clear there is still a long way to go in challenging stereotypes and proving that girls can like trains, too.

I’m appalled that in 2019 our life choices are still subjected to critique. This is why I want to encourage women to embrace their interests and aspirations – however “nerdy”, or unusual, or untraditionally “female” they may be – and to speak up for things that I was worried to speak about for so long.

We might not change the world by doing so but, one by one, we’ll let others know that we’ll do what we want – because we can.