How digital technology is turning cities into theatres

Hendrick Danckerts painting of the lost Palace of Whitehall, brought back to life by digital technology. Sort of. Image: Wikimedia Commons.

Silicon Valley has transformed our experience of the built environment and the complex systems within it to an extent never before conceived by any planner or architect. Uber, AirBnB, Google, Trip Adviser, Twitter – all have drastically affected how we consume and experience cities.

Each of these companies addressed a single market problem via technological innovation, and succeeded by attracting a critical mass of users. Lines of code, intentionally or otherwise, have rapidly outmaneuvered the lines of architectural blueprints in programming our cities.

Imagine, then, the possibilities of cohesion between these two toolsets: of architects who are, theoretically, tasked with designing for a public good, using the tools that are actually redrawing our cities. I believe that designers, as programmers of spaces, objects and experiences, hold the potential to craft this emerging city cyborg, and more importantly determine its purpose.

In his 1994 thought piece The Generic City, Rem Koolhaas describes a city where “serenity... is achieved by the evacuation of the public realm”, largely as the result of “urban life[’s] cross over to cyberspace”.

To a great extent, urban life has crossed over to cyberspace. We can receive deliveries within hours, date through apps, know who is where, and no longer need to know the name of our neighbourhood streets thanks to Google maps. These are great functions.

But to avoid Koolhaas’s vision of a public realm devoid of social purpose, we must simultaneously design an environment that offers experiences greater than those offered through highly functional apps.

The Generic City was intended as a provocation. But a link between our reliance on apps focused on the individual, and our reliance on what the built environment and city has to offer, is undeniable. Designing for a digitally mediated city that aspires to invigorate and inspire the public realm, rather than bypass it – that uses the interplay between lines of code and the lines on architectural blueprints – requires the designer to consider both the physical and digital layers of the urban experience.


Back to the fun palace

An early example of the application of this type of thought was the “Fun Palace”, designed by British architect Cedric Price, theatre director Joan Littlewood and cybernetic scientist Gordon Pask. The project, conceived in 1961, aimed to create “unimagined sociality” through a large adaptive structure that blended learning, work, the arts and “fun”.

It was to be an automated set of public spaces, mediated by cybernetic algorithms, and actuated through a variety of spatial and interactive mechanisms. Gantry cranes would reconfigure spaces to meet the needs of a particular performance, while another space would be configured to support an educational workshop.

My practice, Chomko & Rosier, seeks to re­examine this interplay between architecture, technology and culture. Our studio is mid­way through producing “The Lost Palace” – a project for Historic Royal Palaces, which will allow visitors to explore the Palace of Whitehall, which was largely destroyed by fire in the late 17th Century. Taking place on the streets of contemporary Whitehall, this compression of several hundred years is mediated via a series of haptic, physical, audio and interactive mechanisms powered by digital technology.

Urban experience designers can draw upon these types of experiments, while also engaging with the immense critical narratives emerging around data and our use of technology. They can decide which problems to address within our cities, and pursue the far greater task of designing our digitally mediated urban experiences. They can craft mechanisms, spaces and systems that encourage, suggest and assist us, while providing rich urban experiences – whether local information, wayfinding, transport, events, history, socialising, or any combination.

Our studio was able to play with this idea through our public art project “Shadowing”. The project gave streetlights the quality of memory, allowing them to record the shadows of those who walk underneath to be played back for the next person. As an art piece Shadowing captures and then enhances the core quality of any city: the people who share it. As a piece of design, Shadowing offers a glimpse into the potential for technology to provide a layer of experience on our streets and infrastructure.

The tools available to designers through software are unprecedented. They can dramatically alter our perception of a space, a historical event or an entire city without laying a single brick. 

So as the Generic City surges forward, propelled by digital technologies, and we wander towards the theatre exit lights guided only by a backlit screen, let us attempt instead to turn the city into theatre.

Matthew Rosier is co-founder of Chomko & Rosier.

The Lost Palace is a collaboration between Chomko & Rosier and theatre company Uninvited Guests. It runs from 21 July to 4 September.

 
 
 
 

Green roofs improve cities – so why don’t all buildings have them?

The green roof at the Kennedy Centre, Washington DC. Image: Getty.

Rooftops covered with grass, vegetable gardens and lush foliage are now a common sight in many cities around the world. More and more private companies and city authorities are investing in green roofs, drawn to their wide-ranging benefits which include savings on energy costs, mitigating the risk from floods, creating habitats for urban wildlife, tackling air pollution and urban heat and even producing food.

A recent report in the UK suggested that the green roof market there is expanding at a rate of 17 per cent each year. The world’s largest rooftop farm will open in Paris in 2020, superseding similar schemes in New York City and Chicago. Stuttgart, in Germany, is thought of as “the green roof capital of Europe”, while Singapore is even installing green roofs on buses.

These increasingly radical urban designs can help cities adapt to the monumental challenges they face, such as access to resources and a lack of green space due to development. But buy-in from city authorities, businesses and other institutions is crucial to ensuring their success – as is research investigating different options to suit the variety of rooftop spaces found in cities.

A growing trend

The UK is relatively new to developing green roofs, and governments and institutions are playing a major role in spreading the practice. London is home to much of the UK’s green roof market, mainly due to forward-thinking policies such as the 2008 London Plan, which paved the way to more than double the area of green roofs in the capital.

Although London has led the way, there are now “living labs” at the Universities of Sheffield and Salford which are helping to establish the precedent elsewhere. The IGNITION project – led by the Greater Manchester Combined Authority – involves the development of a living lab at the University of Salford, with the aim of uncovering ways to convince developers and investors to adopt green roofs.

Ongoing research is showcasing how green roofs can integrate with living walls and sustainable drainage systems on the ground, such as street trees, to better manage water and make the built environment more sustainable.

Research is also demonstrating the social value of green roofs. Doctors are increasingly prescribing time spent gardening outdoors for patients dealiong with anxiety and depression. And research has found that access to even the most basic green spaces can provide a better quality of life for dementia sufferers and help prevent obesity.

An edible roof at Fenway Park, stadium of the Boston Red Sox. Image: Michael Hardman/author provided.

In North America, green roofs have become mainstream, with a wide array of expansive, accessible and food-producing roofs installed in buildings. Again, city leaders and authorities have helped push the movement forward – only recently, San Francisco created a policy requiring new buildings to have green roofs. Toronto has policies dating from the 1990s, encouraging the development of urban farms on rooftops.

These countries also benefit from having newer buildings, which make it easier to install green roofs. Being able to store and distribute water right across the rooftop is crucial to maintaining the plants on any green roof – especially on “edible roofs” which farm fruit and vegetables. And it’s much easier to create this capacity in newer buildings, which can typically hold greater weight, than retro-fit old ones. Having a stronger roof also makes it easier to grow a greater variety of plants, since the soil can be deeper.


The new normal?

For green roofs to become the norm for new developments, there needs to be buy-in from public authorities and private actors. Those responsible for maintaining buildings may have to acquire new skills, such as landscaping, and in some cases volunteers may be needed to help out. Other considerations include installing drainage paths, meeting health and safety requirements and perhaps allowing access for the public, as well as planning restrictions and disruption from regular ativities in and around the buildings during installation.

To convince investors and developers that installing green roofs is worthwhile, economic arguments are still the most important. The term “natural capital” has been developed to explain the economic value of nature; for example, measuring the money saved by installing natural solutions to protect against flood damage, adapt to climate change or help people lead healthier and happier lives.

As the expertise about green roofs grows, official standards have been developed to ensure that they are designed, built and maintained properly, and function well. Improvements in the science and technology underpinning green roof development have also led to new variations on the concept.

For example, “blue roofs” increase the capacity of buildings to hold water over longer periods of time, rather than drain away quickly – crucial in times of heavier rainfall. There are also combinations of green roofs with solar panels, and “brown roofs” which are wilder in nature and maximise biodiversity.

If the trend continues, it could create new jobs and a more vibrant and sustainable local food economy – alongside many other benefits. There are still barriers to overcome, but the evidence so far indicates that green roofs have the potential to transform cities and help them function sustainably long into the future. The success stories need to be studied and replicated elsewhere, to make green, blue, brown and food-producing roofs the norm in cities around the world.

Michael Hardman, Senior Lecturer in Urban Geography, University of Salford and Nick Davies, Research Fellow, University of Salford.

This article is republished from The Conversation under a Creative Commons license. Read the original article.