Park Life: on John Claudius Loudon, the father of the modern park

Arboretum et fruticetum Britannicum: an engraving from one of Loudon’s books. Image: Wikimedia Commons/public domain.

Where did parks begin? Where was the first park? Who created it?

These questions aren’t actually as unanswerable as they might first appear. If you’re talking about purpose-built public parks as opposed to private gardens or common land, there’s an at least plausible answer in Derby, which at the very least is home to what might be the oldest extant example in Britain.

The Arboretum was created in 1840 by Joseph Strutt, a public-minded (ish) industrialist. His intricately landscaped park was designed to give the workers (e.g. the ones in his own cotton mills) somewhere for recreation and exercise on the two half-days off he generously gave them.

Loudon. Image: Royal Horticultural Society/Wikimedia Commons.

Strutt may have paid for it, but the real credit should perhaps go to its designer, John Claudius Loudon: he even provided the name, having been the first person to apply the word arboretum to curated botanical gardens. You thought you were having fun in a park: Loudon was trying to trick you into learning about trees.

Loudon is a now slightly obscure figure, having been eclipsed by those he influenced. A pseudo-self-made Scot (his father was a farmer who was at least successful enough to ensure his kid got an education), by the time he was 30 he’d made a fortune introducing new farming and gardening methods to southern England.

At this point, not dissuaded by – for example – the Napoleonic Wars, he sent himself on a Grand Tour of Europe. This was to, in his own words, cast off “confining coil of insular thought”, but he was especially seeking to increase his botanical knowledge. Along the way he picked up a strain of social liberalism, particularly focussed on the importance of public, ideally green, spaces.


Practical efforts in this area were hindered by discovering on his return from Europe that a dodgy investment meant he was broke, and later through health problems that highly excellent 19th-century medicine eventually attempted to cure by cutting off one of his arms. But he wrote extensively, contributing to the Encyclopedia Britannica and publishing Encyclopedias, magazines and various other works of his own, primarily on the subject of landscape gardening, but also tackling the design of everything from pubs to cemeteries.

The preservation and development of green space within the city was something Loudon thought about throughout his life. In fact, his first published writing was a letter about the importance of public squares in London as “breathing zones”.

One of his most intriguing ideas in this arena was sadly never developed, or at least never documented, beyond an initial thought: a proposal to surround London with a ‘promenade’, a circular route around the city that would link, to his mind, its most important features. It would run from Hyde Park, south over Vauxhall Bridge to the (now vanished) Vauxhall Gardens, then through south London to Greenwich Park. At that point, Loudon got really ambitious, with a proposed Thames crossing consisting of an iron bridge big enough for ships to sail under. On the other side the route would run in some unspecified way to meet what’s now the City Road, run up to Marylebone and back down to Hyde Park.

This proposal, which he charmingly noted would be inexpensive “with the exception of the bridge” (no, really?), would provide a day’s tour (presumably horse-propelled if you actually wanted enough time to stop and see anything) of the most interesting gardens, scenery and objects close to London. He was clearly on to something: not only the importance of urban green spaces in themselves, but the fact that within a city they could act almost in concert. Today London has several orbital walking routes which link its parks – although massive garden-based bridges, not so much.

Loudon’s green belt plan. Image: BuldingCentre.co.uk.

In 1829 “Hints on Breathing Places for the Metropolis, and for Country Towns and Villages, on fixed Principles”, Loudon would go on to make an even bolder proposal: not just for what we’d now call the green belt, but green belts plural, alternating rings of city and countryside/garden which as a city expanded could keep going until they hit the sea. Although he accepted the grandiosity of such a plan perhaps made it unlikely (the fact that the following year he married a science fiction novelist feels contextually notable here), he emphasises that the important thing is the basic principle: that towns and cities should be planned in such a way that no-one has to live more than a quarter mile from some kind of park, garden or piece of countryside.

Loudon may have seen his legacy as his writings: three years after completing the Arboretum in Derby, he died having spent almost every penny to his name on publishing various expansive and expensive tomes to share his knowledge and promote his ideas, which might seem to have been a bit of fool’s errand given no-one much reads them now. But it’s at least highly probable that Ebenezer Howard, father of the garden city movement, had read Loudon’s ideas.

And while that Derby park may not be world famous itself, it was highly influential on the parks that came after it – including something called Central Park in somewhere called New York, for which the Arboretum was a direct inspiration. Loudon lives on.

 
 
 
 

“You don’t look like a train buff”: on sexism in the trainspotting community

A female guard on London’s former Metropolitan Railway. Image: Getty.

I am a railway enthusiast. I like looking at trains, I like travelling by train and I like the quirks of the vast number of different train units, transit maps and train operating companies.

I get goosebumps standing on a platform watching my train approach, eyeballing the names of the destinations on the dot matrix display over and over again, straining to hear the tinny departure announcements on the tannoy.  I’m fortunate enough to work on the site of a former railway station that not only houses beautiful old goods sheds, but still has an active railway line running alongside it. You can imagine my colleagues’ elation as I exclaim: “Wow! Look at that one!” for the sixth time that day, as another brilliantly gaudy freight train trundles past.

I am also a woman in my twenties. A few weeks my request to join a railway-related Facebook group was declined because I – and I quote here – “don’t look like a train buff”.

After posting about this exchange on Twitter, my outrage was widely shared. “They should be thrilled to have you!” said one. “What does a train buff look like?!” many others asked.

The answer, of course, is a middle-aged white man with an anorak and notebook. Supposedly, anyway. That’s the ancient stereotype of a “trainspotter”, which sadly shows no sign of waning.

I’m not alone in feeling marginalised in the railway community. Sarah, a railway enthusiast from Bournemouth, says she is used to funny looks when she tells people that she is not only into trains, but an engineer.

She speaks of her annoyance at seeing a poster bearing the phrase: “Beware Rail Enthusiasts Disease: Highly Infectious To Males Of All Ages”. “That did bug me,” she says, “because women can enjoy trains just as much as men.”


Vicki Pipe is best known as being one half of the YouTube sensation All The Stations, which saw her and her partner Geoff Marshall spend 2017 visiting every railway station in Great Britain.

“During our 2017 adventure I was often asked ‘How did your boyfriend persuade you to come along?’” she says. “I think some found it unusual that a woman might be independently interested or excited enough about the railways to spend sixteen weeks travelling to every station on the network.”

Pipe, who earlier this year travelled to all the stations in Ireland and Northern Ireland, is passionate about changing the way in which people think of the railways, including the perception of women in the industry.

“For me it’s the people that make the railways such an exciting place to explore – and many of these are women,” she explains. “Women have historically and continue to play an important part in the railway industry – throughout our journey we met female train drivers, conductors, station staff, signallers and engineers. I feel it is important that more female voices are heard so that women of the future recognise the railways as a place they too can be part of.”

Despite the progress being made, it’s clear there is still a long way to go in challenging stereotypes and proving that girls can like trains, too.

I’m appalled that in 2019 our life choices are still subjected to critique. This is why I want to encourage women to embrace their interests and aspirations – however “nerdy”, or unusual, or untraditionally “female” they may be – and to speak up for things that I was worried to speak about for so long.

We might not change the world by doing so but, one by one, we’ll let others know that we’ll do what we want – because we can.