An art installation in Derry/Londonderry will double as a suicide prevention tactic

The Peace Bridge over the river Foyle, Derry/Londonderry, 2013. Image: Getty.

Since the Good Friday Peace Agreement, more people have died from suicide in Northern Ireland than were killed during the troubles, leaving the province with the highest suicide rate in the UK. This is a particular issue for the city of Derry/Londonderry which has the highest suicide rate in Northern Ireland

Since 2016, a team of designers from the Helen Hamlyn Centre for Design at the Royal College of Art, working with the Public Health Agency in Northern Ireland, have been investigating how design approaches might improve mental health in the city. Their focus has been on the River Foyle – a dominant city landmark which has negative connotations for mental health issues in the city.

Historically the river has acted as an unofficial ‘peace’ wall. “It has separated communities,” says local Sinn Féin MP Elisha McCalion. The opening of the Peace Bridge in 2011 connected the divided east and west banks of the city, “but unfortunately there is a reality as well – regrettably a number of people take their own lives in the river.” 

The local phrase ‘ready for the Foyle’ is used in jest at times of stress or hardship. A recent spike in suicidal incidences on the river has contributed to pressure on the city to respond. However, the river also plays a positive role in the city’s history. 


One of the more unusual events to take place at the river has become a departure point for the project. In 1977, at the height of the troubles, an Orca whale – nicknamed locally as Dopey Dick – made its way up the river Foyle in search of salmon. For several days the whale became a point of community cohesion – a distraction from the ongoing violence.

The team built a full-size replica whale to float down the river as part of Derry’s yearly Maritime festival and Halloween celebrations. Using the whale as a research base, they asked people about how they would improve the riverfront. 

“The response was amazing,” says project leader Ralf Alwani. “We began to understand how the whale holds such significance, and why it still resonates as a positive memory. We learned that the river plays such a significant role in the local consciousness. So we began to think about how the project could do something similar by reanimating the river in a positive way – creating a sense of festival.”

The team’s first proposal – responding to suicide behaviour along the bridges of the Foyle – is the Foyle Reeds project. Around 12,000 extruded, digitally interactive ‘reeds’ will be installed along the existing barrier of the city’s main river crossing, the Foyle Bridge, in what will become the largest art installation in Northern Ireland. The Reeds will create an architectural barrier that aims to prevent planned suicides. Unlike traditional prevention barriers, which feel imprisoning, the reeds will interact with pedestrians, changing colour as they detect the movement of people. People can also adopt a reed for a small fee, and change their colour for a special occasion.  

The second proposal is Foyle Bubbles, a series of small portable spaces that can be deployed around the riverfront. The ‘Bubbles’ will house community, arts, leisure, and commercial groups. The team hopes that the ‘bubbles’ will incubate entrepreneurial activity and generate festivity in the area. The occupiers of the ‘Bubbles’ will also undergo mental health awareness training, to help them spot those in crisis along the river providing a community response without the clinical stigma.  

This is the first time a project of this kind and scale has been undertaken. If successful it will likely take a generation for negative perceptions of the river to change. Alwani is aware of the project’s limitations: “Art and design are not the silver bullet.” But research carried out by the Centre for Urban Design and Mental Health has shown that mental health can be improved by “changing how a place feels.” 

The centre’s director Dr. Layla McCay says that, “One theory is that installations that evoke nature can make people feel less anxious and reduce suicidal thoughts; another is that investing in places that have meaning to communities can evoke pride in a neighbourhood and can improve feelings of belonging and self-esteem. The Foyle Reeds project has elements of both of these theories.”

Visuals courtesy of Vizrage; photos by Ralf Alwani.

 
 
 
 

The Fire Brigades Union’s statement on Theresa May’s resignation is completely damning

Grenfell Tower. Image: Getty.

Just after 10 this morning, Theresa May announced that she would resign as Britain’s prime minister on 7 June. A mere half an hour later, a statement from Royal Institute of British Architects president Ben Derbyshire arrived in my inbox with a ping:

“The news that Theresa May will step down as Prime Minister leaves the country in limbo while the clock ticks down to the latest deadline of 31 October. While much is uncertain, one thing remains clear – a no deal is no option for architecture or the wider construction sector. Whoever becomes the next Prime Minister must focus on taking the country forward with policies beyond Brexit that tackle the major challenges facing the country such as the housing crisis and climate change emergency.”

I was a bit baffled by this – why would the architecture profession try to get its thoughts into a political story? But then Merlin Fulcher of Architects Journal put me right:

Well you know construction is a larger contributor to GDP than financial services, and most of the work UK architects do is for export, and at least half of the largest practice (Foster + Partners) are EU, so there's a lot at stake

— Merlin Fulcher (@merlinfulcher) May 24, 2019

So, the thoughts of the RIBA president are an entirely legitimate thing to send to any construction sector-adjacent journalists who might be writing about today’s big news, and frankly I felt a little silly.

Someone else who should be feeling more than a little silly, though, is Theresa May herself. When listing her government’s achievements, such as they were, she included, setting up “the independent public inquiry into the tragedy at Grenfell Tower” – a fire in a West London public housing block in June 2017 – “to search for the truth, so nothing like it can ever happen again, and so the people who lost their lives that night are never forgotten”.

Matt Wrack, general secretary of the Fire Brigades Union, is having precisely none of this. Here’s his statement:

“Many of the underlying issues at Grenfell were due to unsafe conditions that had been allowed to fester under Tory governments and a council for which Theresa May bears ultimate responsibility. The inquiry she launched has kicked scrutiny of corporate and government interests into the long-grass, denying families and survivors justice, while allowing business as usual to continue for the wealthy. For the outgoing Prime Minister to suggest that her awful response to Grenfell is a proud part of her legacy is, frankly, disgraceful.”

A total of 72 people died in the Grenfell fire. At time of writing, nobody has been prosecuted.

Jonn Elledge is editor of CityMetric and the assistant editor of the New Statesman. He is on Twitter as @jonnelledge and on Facebook as JonnElledgeWrites.

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