British television once sounded like Britain. But then, the ITV mergers happened

The Granada Studios, Quay Street, Manchester. Image: Wikimedia Commons.

This summer, several ITV franchises celebrated half a century of continuous operation. There was a Yorkshire Television themed cake, and a flag bearing the company’s logo was flown over ITV’s Yorkshire base for a time. It was all very jolly – but while a few people beyond Britain’s small community of television historians and old telly nerds engaged with the idea, any excitement was brief.

The main reason for is not, as you might assume, that, in the era of streaming and so forth, ITV is no longer a dominant presence in many people’s cultural lives: even the quickest of glances at the relevant figures would tell you otherwise. No, it’s because the mere existence of ITV’s franchises is now passing out of common memory. They are the trademarks, literally rather than figuratively, of a version of ITV that today exists only nominally.

For most of its history, ITV operated on a federal model. ITV wasn’t a company, it was a concept: ‘Independent Television’, that is, television which was not the BBC.

It was also a network, rather than a channel – a network of multiple regional channels, each of which served a specific area of the UK. Each had their own name and onscreen identity; and each made programmes within their own region. They were ITV – but they were also Yorkshire, Granada, Grampian, Thames, and so on.

So when I was a child growing up in the Midlands in the ‘80s, no one at school ever said “ITV”: they said “Central”, because that’s what the channel called itself on air, or “Channel Three” because that’s where it was on the dial. To visit friends who lived in other regions was to go abroad – to visit strange lands where the third channel was called Anglia, and its logo was a bafflingly long film sequence of a model knight rotating on a record turntable, where all the newsreaders were different and where they didn’t show old horror films on Friday nights.

The ITV regions as of 1982, plus Ireland. Image: Wikimedia Commons.

Of course, there were programmes that were shown across the whole network. Any station, no matter in what part of the country, would be foolish not to transmit Coronation Street during the period where it could persuade nearly half the population to tune in. But even The Street wasn’t networked from the beginning: it started in six of the then eight ITV regions, and rolled out to the other two after a few months when it became clear the series was here to stay.

This was a common occurrence: The Avengers, one of the few ITV series to genuinely break America, began in an even more limited number of regions in the same year, with other areas scrambling to catch up when the programme became a hit.

The idea behind ITV’s structure was that the regions would compete with each other to put programmes on the network, opting in and out of others’ productions as worked best for them. ITV was, after all, an invention of a 1950s Conservative government that was developing a taste for the idea of ‘healthy competition’ even as it accepted the moral and practical case for a mixed economy. The system worked well for decades: in 1971, for example, the success of London Weekend Television’s Upstairs, Downstairs, creatively and commercially, and domestically and internationally, prompted other regions to invest in high end period dramas so as to not look like a poor relation.


Even away from prestige productions there was, inexplicable as it now seems, a genuine sense of local pride when a hit programme came from your region. That Bullseye was made on Broad Street in Birmingham was something that people knew. That 17.6m people watched the 1984 Xmas special, making it one of the ten most watched programmes of the year, made Bully a sort of local hero. In more concrete terms, Bullseye and other Birmingham based programmes provided jobs, and kept that part of the country visible from all others. This was true of all areas, and from all areas.

ITV franchises would often make programmes that were distinctive to, or set in, their region. Another of Central’s late eighties hits was Boon. It might have starred the cockney-sounding Michael Elphick, but it was filmed and set in Birmingham, just as Central’s predecessor ABC’s Public Eye had been at the end of the sixties. In Tales of the Unexpected, one of the poorest and smallest ITV regions, the aforementioned Anglia, made a bona fide international hit, largely filmed in transmission area, too. HTV produced a string of children’s series set in its south west catchment area, including some, such as The Georgian House, that examined the way the area had profited from the slave trade.

There was another element of ‘competition’ in the structure of ITV as originally conceived: the franchises were not for life. Every few years, a franchise round would come along, forcing the incumbent stations to bid to continue its own existence against other local offerings.

The process was no simple auction. Ministers were empowered to reject higher financial bids if they felt a lower bid offered other things that mattered: local employment or investment, programming plans that reflected the identity of the region they were bidding to serve, or simply higher quality programmes.

Yorkshire Television itself owes its existence to just such a franchise round: the one that followed a 1967 decision by regulator IBA that Granada, until then the holder of a pan-northern England licence, was insufficiently local to Yorkshire. For a decade, commissioning and production had been concentrated in Manchester, with little representation of, or benefit for, the other side of the Pennines. IBA’s decision was intended to correct this.

Yorkshire existed in practical terms for almost exactly 40 years. Its achievements included Rising Damp, the only truly great sitcom ever made for ITV.

But in 1997 it was, ironically, bought out by Granada, the company who had had to move aside in order for it to be created. What had changed? The law.

In 1990, another Conservative government, one even keener on competition and rather less convinced of the moral and practical case for a mixed economy, had changed the rules concerning ITV regions. There was still a ‘quality threshold’ of a sort – but there was less discretion for those awarding the franchises. Crucially, the rules had been liberalised, and the various ITV franchises that existed as of 1992 started buying out, merging with and swallowing one another until, in 2004, the last two merged to form ITV plc: a single company and a single channel.

The Yorkshire Television birthday cake. Image: ITV.

Yorkshire Television – or rather ITV Yorkshire as it was renamed in 2006 – is listed at Companies House as a dormant company, although it is still the nominal holder of the ITV licence for much of Northern England. Its distinctive onscreen identity, including the logo, visible on the cake above, disappeared early this century, replaced by generic ITV branding, sometimes with the word Yorkshire hidden underneath it, but often without it. Having once been created because Manchester was too far away, Yorkshire TV is now largely indistinguishable from that offered in London. (It is more by accident of history than anything else that ITV retains any non-London focus at all; one of the last two regions standing was Granada.)

The onscreen identities of the all the other franchises disappeared at roughly the same time. What remained of local production and commissioning followed. Regional variations now only really exist for news and advertising. TV is proud that is can offer advertisers a variety of levels of engagement, from micro regional to national: it just doesn’t bother doing so with programming or workforce any more.

Except for viewers in Scotland. Curiously, STV is an ITV franchise which, for reasons too complicated to go into here, doesn’t suffer from the restrictions/opportunities imposed by upon its English brethren in 1990. It also – like UTV in Northern Ireland, another complex, special case – retains its own onscreen identity. Nationalism, as it so often does, is trumping regionalism – although it was not all that long ago that Scotland had multiple ITV regions, in recognising its own lack homogeneity and distinct regions, while respecting its status as a country.


As is often observed by anyone who has thought about it for more than four seconds, the UK is an almost hilariously over-centralised country, with its political, financial, administrative, artistic and political centres all in the same place. Regionalised television helped form a bulwark against the consequences of that centralisation. Regional commissioning and production guaranteed that the UK of ITV looked and sounded like the whole of the UK. The regions could talk about themselves, to themselves and others, via the medium of national television.

The idea of a federal UK crops up with increasing frequency these days; it is almost inconceivable that considerable constitutional tinkering will not be required after the good ship UK hits the iceberg that is Brexit, and that’s assuming that Northern Ireland and Scotland remain within that country at all. If the UK is to become a federation, and many think it will have to, then why shouldn’t its most popular and influential medium?

A new Broadcasting Act is needed. One that breaks up ITV plc and offers its constituent licences out to tender again; one that offers them only on the guarantee that certain conditions, to do with regional employment and production, regional commissioning and investment, are met.

Our current national conversation is undeniably toxic. Maybe increasing the variety of accents in that conversation will help.

Thanks to Dr David Rolinson at the University of Stirling and britishtelevisiondrama.org.uk.

 
 
 
 

In New Zealand, climate change is driving an eco-nationalist revival

The green and pleasant land of the South Island. Image: Getty.

“Ten years ago I would have called them settler f*****g land squatters,” Mike Smith, Maori-dom’s most tenacious activist, said last November as he reflected on the agriculture industry’s central role in driving climate change. “Now I have to try and get these people on board.”

Smith is infamous for taking a chainsaw to Auckland’s most prominent tree on a damp October night in 1994 in protest of the “Pākehā” – or white European –dominated government’s fiscal envelope restraining treaty settlements. Now he’s turned his hand to another cause close-to-home for the Maori, New Zealand’s indigenous population: the environment.

“We’re super vulnerable, like we are to anything,” Smith says. “When it comes to climate change it’s like the poorest people in the world are going to be hit the hardest first, and that’s a lot of us.”

Prime Minister Jacinda Ardern appears, at least rhetorically, the most sympathetic leader to his cause in a decade. In her campaign launch speech late last year, she made the future government’s position clear: “Climate change is my generation’s nuclear free moment.”

This message should resonate with followers of her Labour party: the NZ left has long nurtured an environment-orientated “culture-of-protest”. So Ardern’s call to arms was bound to gain her loyal support among children of the 1960s and ‘70s, who led the march against nuclear ship visits, spurring on the government of the time to wriggle out from the US nuclear umbrella, and place a ban on foreign nuclear ship visits.

Now, it is to the tycoons of deep sea oil exploration they aim to close NZ’s ports.

In this, Smith is not short of support locally, with marches run by grassroots organisations and international animal welfare funds beginning to gain traction with every day New Zealanders. In this, Ardern’s prediction is correct: the Coal Action Network Aotearoa (CANA), is reminiscent of the Campaign for Nuclear Disarmament (CND), an earlier cluster of left-wing pacifists and nature lovers who drove the creation of the nuclear free zone.  

In December, 15,000 passionate protesters marched through the capital. And with the government’s recent ban of offshore oil exploration projects, Jeanette Fitzsimons, former Green party co-leader and the head of CANA, is optimistic about similar change to the energy and farming sectors.

The Labour-NZ First-Green party coalition seems focused on setting a new global precedent, weaning NZ away from a United States which has jettisoned the Paris Agreement. The move replicates another 20 years ago, when New Zealand’s anti-nuclear movement was central to an upsurge in New Zealand nationalism. Now, the same sense of going it alone on foreign policy is apparent both locally and in Parliament.

Dr. Gradon Diprose, a senior lecturer at Massey University, argues that this echoes an older expression of colonial nationalism, that saw “New Zealand as a land of natural abundance”. This: “eco-nationalism” is centered on “protecting certain visions of picturesque landscapes and unspoiled natural beauty”. The slogan “Clean, green New Zealand” is prevalent in popular culture and tourism marketing. The public seems to have latched onto it too, and ranked keeping NZ’s waterways “clean and green” top of a recent survey of of kiwis’ top concerns.

Three decades ago, it was the 10 July 1985 sinking of the Greenpeace flagship Rainbow Warrior that thrust local activists’ fears into the public eye, resulting in an almost nation-wide expression of climate-protectionism.


The bombing, a French intelligence operation sparked by Greenpeace’s calls for an end to foreign nuclear testing in the Pacific, galvanised a great deal of change to New Zealand’s overseas defence policies. A lack of censure from New Zealand’s Western allies drove Wellington to distance itself from the United States, while the shock of seeing a friendly nation violate NZ’s sovereignty left many at home seething.

Thirty years on, the foreign policy split throughout the Anglosphere, regarding Russian-Western relations, globalism, and the old international rules-based order, is becoming wider. Climate change is just the tip of the iceberg.

Most Kiwis you talk to will shake their heads in disapproval at US president Donald Trump’s scandalous outing last year in Helsinki. But US defiance of internationally brokered climate resolutions is something they can see clearly reflected in rural communities across the country.

The country saw records broken at both ends of the extreme weather spectrum last year. As 2018 kicked off, Kiwis sweltered through the hottest summer on record, while in Golden Bay, a small inlet near the northern tip of the South Island, residents endured the largest flood in 150 years. So, when President Trump tweets “So much for Global Warming”, the majority of New Zealanders look back fondly on NZ’s 1985 decision to boycott the “ANZUS” treaty, putting New Zealand at odds with its war-time ally America on defence legislation.

Public calls to take the same track on environmental regulation have become louder in the wake of Donald Trump’s election. The former US Secretary of State, Rex Tillerson, received a frosty “unwelcome” while on a flyby to the capital in 2017, with the New York Times’ Washington correspondent, Gardiner Harris remarking: “I’ve never seen so many people flip the bird at an American motorcade as I saw today”. Protests against President Trump’s stance on climate change are beginning to gain greater traction further still, with the hundred-strong “march for science” setting the tone for the new government later that year.

New Zealand certainly isn’t afraid of radicalism, and its activists are persistent. It’s already banned single use plastics in supermarkets. Plenty more is to come, Smith says.

And yes, reform is going to inhibit sometimes vital industries: “It doesn’t matter which way you spin the dice on this, whatever’s being done is going to hurt. People who are looking for a painless way of mitigating climate change, [but] I don’t think there is one.”

But among Smith’s troupe of climate agitators, the feeling is that, without drastic change, “the land”, the heart of the Maori ethos, is going to be hurt far more.

Back in Auckland, NZ’s financial hub, an electric scooter craze is gripping the city. This, too, has gained the support of local environmentalists. In New Zealand, a national sense of pride is always coupled with a certain eccentricity. In a country this size, change always starts small.