What would London's tube map sound like? One composer decided to find out

The double-bass part from “London, he felt fairly certain, had always been London". Image: Ewan Campbell.

I'm not saying CityMetric is obsessed with tube maps. I'm just saying that, if you did a Venn diagram of regular readers, and people who own a well-thumbed copy of Mark Ovenden's excellent “Metro Maps of The World,” there'd be more overlap than the Circle and District lines.

But here's a question that's not yet been answered by either that book or this site: what would the tube map sound like?

Composer Ewan Campbell decided to find out: teaming up with contemporary music ensemble The Hermes Experiment, he’s used the distinctive map as a way to create a piece of music based on Harry Beck's iconic diagram. “London, he felt fairly certain, had always been London” – yes, the title is a 1984 reference – had its world première at the Cockpit Theatre in Marylebone on Tuesday.

“Writing map scores is something I've been exploring for a little while,” composer Campbell tells me. His previous effort, “The Following,” took the players on a journey across an American grid-style city layout.

This one takes the audience on the tube – with some minor tweaks. “My version of Zone 1 doesn't have any dead ends,” he confesses, having joined up Vauxhall and Waterloo, to make the transitions from one musical snippet to the next easier.

The way it works is simple. Each musician has a tube map in front of them, with notes instead of the station names. Each station is a musical fragment of between two and 20 seconds, which should more or less work with all the other pieces. (Everything is in a slightly altered Phrygian mode of F, since you asked.)

The Hermes Experiment has a double bass, clarinet, harp and soprano, so the resulting music sounds weird but beautiful (much like taking the Metropolitan Line all the way to the end). Each performer goes on their own journey, listening to each other to make the piece work. They can only go to adjacent stations, and play what they find there. So, as Campbell explains, “the music is written, but the piece is improvised.”

 

An extract from the Soprano part. Image: Ewan Campbell.

The musicians decided to start at King's Cross for their performance, and followed Campbell's instruction to “race around as quickly as you can. The Piccadilly Line has a long, slow melody for the double bass; the harp has a series of wide chords along the Bakerloo Line; and the clarinet blasts out multiphonics on the Northern.

To make the whole thing even more of a London soup, the singer's stations consist of extracts from poems and songs about the capital. As well as getting recommendations from friends, the composer used Poetry Atlas to match extracts to places. (Anyone looking to be productive at work should avoid this website, which literally puts poetry on the map: by clicking on pins, you can see which poems mention your corner of London, or even the world beyond).


The final piece includes Wordsworth’s sunrise reverie on Westminster Bridge; D.H. Lawrence’s outcasts sleeping under a bridge; and several extracts from poems by Will Hatchett. In terms of prose, there's Charles Dickens at Charing Cross, bits of Virginia Woolf, and Samuel Pepys’ diary about the great fire in 1666.

Héloïse Werner, who sung her way round London Bridge, and mainly stayed south of the river on the night, said it had been great fun working on the piece. “In the first rehearsal, we started at Bank, and said we'd meet at Marylebone in ten minutes,” she recalls. “Now, when we walk around the city we hear pitch and noise everywhere.”

London, he felt fairly certain, had always been London,” wasn't the only transport-related piece in the programme. The audience also heard a work in progress about your correspondent's favourite high-speed rail link: “Eurostar, Velaro” by Stevie Wishart is based on the sounds of the train going between London and Brussels, complete with a soprano making “choo choo” noises, and a bass clarinet with paper attached with bulldog clips (bizarrely, it sounds just like the tremble of catenary wires). 

London fans also got to hear a piece by Jethro Cooke which involved the ensemble playing over ambient sound recordings of the city – including everything from the creaking lifting mechanism of Tower Bridge to the sound of dropping large objects in car parks and tunnels. I'll never hear the city the same way again.

 
 
 
 

More than 830 cities have brought essential services back under public control. Others should follow

A power station near Nottingham: not one owned by Robin Hood Energy, alas, but we couldn't find anything better. Image: Getty.

The wave of cities worldwide rejecting privatization is far bigger and more successful than anyone thought, according to a new report from the Transnational Institute, Reclaiming Public Services: How cities and citizens are turning back privatisation. Some 835 cities in 45 countries have brought essential services like water, energy and health care back under public control.

The persistent myth that public services are by nature more expensive and less efficient is losing its momentum. Citizens and users do not necessarily have to resign to paying increasingly higher tariffs for lower standard services. The decline of working conditions in public services is not an inevitability.

And the ever larger role private companies have played in public service delivery may at last be waning. The remunicipalisation movement – cities or local authorities reclaiming privatised services or developing new options – demonstrates that cities and citizens are working to protect and reinvent essential services.

The failure of austerity and privatisation to deliver promised improvements and investments is part of the reason this movement has advanced. But the real driver has been a desire to meet goals such as addressing climate change or increasing democratic participation in service provision. Lower costs and tariffs, improved conditions for workers and better service quality are frequently reported following remunicipalisation.  Meanwhile transparency and accountability have also improved.

Where remunicipalisation succeeds, it also tends to inspire other local authorities to make similar moves. Examples are plentiful. Municipalities have joined forces to push for renewable, climate-friendly energy initiatives in countries like Germany. Public water operators in France and Catalonia are sharing resources and expertise, and working together to overcome the challenges they meet.

Outside Europe, experiments in public services are gaining ground too. Delhi set up 1,000 Mohalla (community) clinics across the city in 2015 as a first step to delivering affordable primary health care. Some 110 clinics were working in some of the poorest areas of Delhi as of February 2017. The Delhi government claims that more than 2.6m of its poorest residents have received free quality health care since the clinics were set up.


Local authorities and the public are benefiting from savings too. When the Nottingham City Council found out that many low-income families in the city were struggling to pay their energy bills, they set up a new supply company. The company, Robin Hood Energy, which offers the lowest prices in the UK, has the motto: “No private shareholders. No director bonuses. Just clear transparent pricing.”

Robin Hood Energy has also formed partnerships with other major cities. In 2016, the city of Leeds set up the White Rose Energy municipal company to promote simple no-profit tariffs throughout the Yorkshire and Humberside regions. In 2017, the cities of Bradford and Doncaster agreed to join the White Rose/Robin Hood partnership.

Meanwhile, campaigners with Switched on London are pushing their city to set up a not-for-profit energy company with genuine citizen participation. The motivations in these diverse cities are similar: young municipal companies can simultaneously beat energy poverty and play a key role in achieving a just and renewable energy transition.

Remunicipalised public services often involve new forms of participation for workers and citizens. Remunicipalisation is often a first step towards creating the public services of the future: sustainable and grounded in the local economy. Inspiration can be found in the European towns and villages aiming for 'zero waste' with their remunicipalised waste service, or providing 100 per cent locally-sourced organic food in their remunicipalised school restaurants.

Public services are not good simply because they are not private. Public services must also continuously renew themselves, grow, innovate and recommit to the public they serve.

The push for remunicipalisation in Catalonia, for example, has come from a movement of citizen platforms. For them, a return to public management is not just an end in itself, but a first step towards the democratic management of public services based on ongoing civil participation.

Evidence is building that people are able to reclaim public services and usher in a new generation of public ownership. The momentum is building, as diverse movements and actors join forces to bring positive change in communities around the world.

You can read the Transnational Institute report, “Reclaiming Public Services: How cities and citizens are turning back privatisation”, on its website.