7 film and TV series set in the exciting world of municipal government

Something deep and dark. Woody Harrelson and Matthew McConaughey in True Detective. Image: HBO

One of the big TV hits of 2014 has been True Detective, a beautifully shot HBO series which saw Woody Harrelson and Matthew McConaughey investigate a string of murders over a period of 17 years. In between all the police procedural stuff, the series explores themes such as family, faith, and the nature of the universe.

The reason we bring this up is that, as it turns out, season 2 is going to be about municipal transport policy:

“According to a breakdown obtained by TheWrap, the second season of “True Detective” will follow the death of a corrupt city manager of a fictional California city who's found brutally murdered amid a potentially groundbreaking transportation deal that would forever change freeway gridlock in the state.”

Thrills! Terror! Traffic management!

Actually, the new series, which looks set to star Vince Vaughn, has a very good chance of being awesome. As unlikely as it might sound, TV and film about local government has a surprisingly good track record. Here are seven more examples.

Spin City (ABC, 1996-2002)

Sitcom set in New York City Hall. Started off as a rather good vehicle for Michael J Fox, as the smart young deputy mayor; later became a substantially less good vehicle for Charlie Sheen as his replacement, and promptly got itself cancelled. Includes such exciting municipal plot lines as a subway train breaking down, pollution in the city’s rivers, and garbage collectors going on strike.

Our Friends in the North (BBC Two, 1996)

Possibly the best television drama ever to be largely about British social housing policy, Our Friends stars an amazing cast led by Christopher Eccleston and Daniel Craig (pictured), and takes in everything from police corruption to the Zimbabwean boycott to the rise of New Labour. It also features some amazing haircuts.

Who Framed Roger Rabbit (1988 movie)

Gritty political thriller about a corruption scandal in which car companies buy up Los Angeles' streetcar network, purely so they can rip it up, thus forcing the public to buy more cars. Also features a cartoon rabbit.

The Wire (HBO, 2002-08)

Without wanting to sound like one of those people, The Wire is one of the few things in life that's as good as everyone says it is. Over five seasons it explores many aspects of the decline of the American city (policing, education, labour relations, the media). From season three onwards a major character is politician Tommy Carcetti (Aidan Gillen, pictured), who successfully runs for mayor, only to learn that the job is actually amounts to "eating shit all day long, day after day, year after year". This show basically offers a comprehensive explanation of why nothing works.

Chinatown (1974 movie)

Classic noir starring Jack Nicholson, which begins with the murder of Los Angeles' chief water engineer. One of the few films of the genre which is fundamentally about water desalination.

Parks and Recreation (NBC, 2009-present)

Mockumentary about municipal officials working in a pseudonymous department in the fictional Indiana town of Pawnee. Contains a plot about turning a big hole into a nice new park. The series made a star of Chris Pratt (pictured), who's since sold out and lost a load of weight, mostly so he could appear in movies.

Buffy the Vampire Slayer (WB/UPN, 1996-2003)

Okay, it's mostly not about municipal government at all, it's about vampires and teenagers. But the villain in season three is the mayor of Sunnydale (Harry Groener), who's secretly plotting his "ascension" – that is, his transformation into a giant snake-like demon who feeds on people. Remember that, next time Boris Johnson or Bill de Blasio appear on your TV screen.

Images credits: Our Friends in the North: BBC; The Wire: HBO; Parks and Recreation: NBC.

 
 
 
 

The smartphone app placing virtual statues of women on the map

A virtual Edith Wharton in Central Park, New York City. Image: The Whole Story Project.

If you’re a woman, then in order for you to be immortalised in stone, bronze or whatever once you’ve shuffled off this mortal coil, you should either have royal blood or be willing to be sculpted naked. That is the rule of thumb.

A statue that actually celebrates a woman’s achievements is a rare sight. Writing in the New Statesman last year, equality campaigner Caroline Criado-Perez found that out of 925 statues in Britain, as listed by the Public Monuments and Sculpture Association, only 158 are of solo women. Of these, 46 are of royalty, including 29 of Queen Victoria. Fourteen depict the Virgin Mary.

There are signs of change, albeit slow. The suffragist Millicent Fawcett is set to be honoured with a statue in Parliament Square, where currently all 11 of the statues are of men. (They include Nelson Mandela and a nine-foot Gandhi.) The monument is to be unveiled next year to celebrate the centenary of British women receiving the right to vote.

Elsewhere, the late comedian Victoria Wood is being honoured with a statue that’ll be erected in Bury, Greater Manchester. In the Moss Side area of the city, a statue of Emmeline Pankhurst will be unveiled in 2019. Unlike the Fawcett one, neither of these is expected to receive public money, relying on crowdfunding and other sources instead.

So how many more statues of women, regardless of how they’re funded, would we need to build in order to reduce the gender gap? Well, according to Jonathan Jones, art critic at the Guardian, the magic number is: zero.

Jones’s argument, back in March, was that building statues doesn’t advance feminism, but simply traps us in the past. He wrote:

Statues don’t hold public memory. They politely bury it. These well-meaning images melt into the background scenery of our lives.

Whether this is empirically true is questionable, but it’s true that we tend not to erect them as often as we used to anyway. This is partly because there is less space available for such monuments – a noticeable disadvantage cities of the present have compared to those of the past. In order to reduce the imbalance, statues of men would probably have to be removed; many would no doubt be okay with that, but it would mean erasing history.

One partial answer to the problem is augmented reality. It can’t close the gender gap, but it could shine a spotlight on it.

To that end, an advertising agency in New York launched an app at the beginning of May. The Whole Story allows users to place virtual statues of women on a map; other uses can then view and find out more about the individuals depicted at their real-world locations, using their smartphone cameras.


Currently, users have to upload their own virtual statues using 3D-modelling software. But going forward, the project aims for an open collaboration between designers, developers and organisations, which it hopes will lead to more people getting involved.

Contributions submitted so far include a few dozen in New York, several in Washington and one of Jane Austen in Hyde Park. There are others in Italy and the Czech Republic.

Okay, it’s an app created by a marketing firm, but there are legitimate arguments for it. First, the agency’s chief creative office has herself said that it’s important to address the gender imbalance in a visual way in order to inspire current and future generations: you can’t be what you can’t see, as the saying going.

Second, if the physical presence of statues really is diminishing and they don’t hold public memory, as Jones argues, then smartphones could bridge the gap. We live our lives through our devices, capturing, snapping and storing moments, only to forget about them but then return to and share them at a later date. These memories may melt away, but they’ll always be there, backed up to the cloud even. If smartphones can be used to capture and share the message that a gender imbalance exists then that’s arguably a positive thing.  

Third, with the success of Pokemon Go, augmented reality has shown that it can encourage us to explore public spaces and heighten our appreciation for architectural landmarks. It can also prove useful as a tool for learning about historical monuments.

Of course no app will replace statues altogether. But at the very least it could highlight the fact that women’s achievements are more than just sitting on a throne or giving birth to the son of God.

Rich McEachran tweets as @richmceachran.

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